Wednesday, 28 September 2011

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Maria Callas- Vocal Range/Profile



Vocal TypeSoprano
Vocal Range: 3 Octaves  F3-E6 (though the E6's vibrato touches an F6, so will count as 3 octaves)
Whistle Register: No
Vocal Pluses:Callas's voice was noted for its three distinct registers: Her low or chest register was extremely dark and almost baritonal in power, and she used this part of her voice for dramatic effect, often going into this register much higher on the scale than most sopranos. Her middle register had a peculiar and highly personal sound—"part oboe, part clarinet", as Claudia Cassidy described it—and was noted for its veiled or "bottled" sound, as if she were singing into a jug. Legge adds, "Even in the most difficult fioriture there were no musical or technical difficulties in this part of the voice which she could not execute with astonishing, unostentatious ease. Her chromatic runs, particularly downwards, were beautifully smooth and staccatos almost unfailingly accurate, even in the trickiest intervals. There is hardly a bar in the whole range of nineteenth century music for high soprano that seriously tested her powers."

Vocal Negatives: Rodolfo Celletti states, "In certain areas of her range her voice also possessed a guttural quality. This would occur in the most delicate and troublesome areas of a soprano's voice—for instance where the lower and middle registers merge, between G and A. I would go so far as to say that here her voice had such resonances as to make one think at times of a ventriloquist. . .or else the voice could sound as though it were resonating in a rubber tube. There was another troublesome spot. . . between the middle and upper registers. Here, too, around the treble F and G, there was often something in the sound itself which was not quite right, as though the voice were not functioning properly."

Note:I am in no position to be a judging a voice like this- you need college degrees and schooling to do that- so I pinched the positives and negatives from Wikipdiea. I am forever in your debt! Read the article here, its fascinating stuff.




17 comments:

  1. Yes!! She was *the* Soprano :D

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  2. Yes!! She was *the* Soprano :D

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  3. To "ANON": Don't copy me. Thank you.

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  4. Amazing. One of my favourite voices in classical singing.

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  5. "I am in no position to be a judging a voice like this- you need college degrees and schooling to do that"- You need them to be judging pop voices too.

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  6. I listen to pop/ contemporary  music. I do not listen to classical music, therefore I have no point of reference to be judging against.  Hence that comment.

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  7.  Even nicer than that you made the effort. It was a pleasant surprise to find Callas on the list. I don't listen much to opera singing as well but I make an exception for Callas and Sumi Jo. Both have a style more accessible to non opera fans. And voices even the layman can tell are exceptional.

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  8. Dear DD and all the readers,
    even though I admire Ms Callas i find her... boring in comparison with legendary polish singer (both popular and operatic) Violetta Villas.
    http://en.wikipedia.org/wiki/Violetta_Villas
    She was coloratura soprano with over 4 octaves vocal range and amazing skills, but what truly made her special was wild incredibly theatrical, but spontanous character of her performances. Sadly, she never had a career she truly deserved (probably because of her background), but is still unforgettable. She sang with Barbra Streidand once, and B she still remembers and loves this amazing person and performer.Her glissandos:http://www.youtube.com/watch?v=CkibP9Q69gw
    Vocal range:http://www.youtube.com/watch?v=DQvLtRDpaNM
    There are plenty of her performances on youtube and each of them is worth watching.Her signature song (it's actually an old russian love song about this man with incredible, yet terryfing black eyes, but she made it her own, just like Whitney rocked Dolly's I will always love you):http://www.youtube.com/watch?v=fvRMrIzTwvI

    or Violetta singing Habanera from Carmen:
    http://www.youtube.com/watch?v=3URAtUUhqGo



    I would be really happy and somehow... grateful if anyone will notice this comment.
    Cheers

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  9. Well, I noticed your comment and fail to see why you compare her to Callas.
    Callas was an opera singer, Violetta was not. If we can believe Wikipedia in this case?
    And that link to her singing Habanera pretty much sums up the difference. I mean, seriously don't know how you can say it's her "signature song" or that she "rocked" it. Not sure which you meant but I do think you must be joking either way. Least, that's how I can only take it. Because...
    http://www.youtube.com/watch?v=uCj658xbwj0

    Or if you want to go outside of opera ( like this Violetta) and speaking of making it your own...Celine did a better job imo
    http://www.youtube.com/watch?v=Y-KXAULqz80&feature=related

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  10. To be honest I don't like Celine's rendition. Her singing doesn't hit the operatic quality in any way. It's more cabaret version. Why doesn't she wear top hat, tuxedo and stockings with garter? I would like it much better;)
    As for Villas - her Carmen seems to be mentally unstable hysteric.
    I've got just one answer for Callas singing "Habanera" - Elina Garanca
    http://www.youtube.com/watch?v=jGFUKsv1epk

    She's absolutely perfect. I love her voice. Along with Cecilia Bartoli's voice of course.

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  11. I mentioned Cecilia Bartoli's name and I simply can't refrain myself from attaching a link. Absolutely mindblowing! Now, as she's got older, her voice has become even darker and deeper in lower register.
    Opie, please do not compare video below to Sumi Jo's performance of the very same aria. As you have mentioned you have great respect to Jo's vocal abilities. Such comparison might be a little... painful?
    Regards
    http://www.youtube.com/watch?v=rISjBGOtHhs

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  12. I agree regarding Celine but my comparison there was between Celine, not an opera singer, and this Violetta, not an opera singer.
    I wouldn't dream of comparing Celine's version to any real opera singers'.

    Like this Elina.
    Her rendition btw though excellent of course, is too standard opera, too smooth for my taste. But comparing her to Callas is a matter of taste I think, not quality. I personally prefer the delivery and "rougher edge" of Callas. But again..that's a statement of preference not criticism as such.

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  13. First of all..sorry for the late response. Had missed your replies in this thread.

    I'd say I have a great liking for Sumi Jo's voice and delivery. I wouldn't make any statement regarding her ability in comparison to other operatic singers as I lack both the knowledge and the experience of listening to enough opera to do so.
    I am actually not at all a fan of opera and like Callas and Sumi Jo because their delivery is not standard opera.

    Bartoli's IS. And I do know enough to hear that between those two, when it comes to that aria, Bartoli's is far superior technically.
    Did I like it? Not really. Like I said..too "opera" for my taste.
    Also between you and me the difference, I get the impression, is that you prefer mezzo soprano where as I prefer soprano voices.

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  14. Right, I prefer mezzo indeed. I'm not opera fan either, however there are days I listen only operatic repertoire (or Chopin piano works). It really calms me down. There are days I can't stand pop music and then opera or classical music is relief. I don't have knowledge to compare operatic singers, so I base upon my ears and taste. I just like Bartoli's voice and Garanca's voice - warm and nicely rounded. Callas was freak of nature and possibly one of the very best, nevertheless her bottle-like guttural tones irritate me a bit.
    You said you preferred soprano. Have you heard Kathleen Battle? I really like her "Baroque Duet" with Wynton Marsalis (there was also a movie - quite decent). She worked with jazz and pop musicians, so she crossed line between "standard opera" and other genres. You can check this out watching video attached.
    http://www.youtube.com/watch?v=WRWo8848cSU

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  15. I hear you re days you can't stand pop music. Except to me that is most days and I go for Americana or classical. ( in classical mostly the violin of Anne Sophie Mutter( but not the modern pieces) or Beethoven)

    Because of the discussion under the Mariah Carey on AI thread, last night I tried to listen to her album Emotions. And though I really liked it, I once again find that this kind of music is great to have on in the background but when I try to really listen, the way I'd listen to classical or Americana...most pop music gives me a headache after 30 minutes or so.

    Thanks for the link, I enjoyed that much like I enjoyed House Of The Flying Daggers. I am a bit of a fan of China and Chinese culture.

    In light of that...here's another artist for you to check out if you want. One whose base is also bluegrass but who marries it with Chinese influences. You seem to have an eclectic taste and maybe you'll like this. :)

    http://www.youtube.com/watch?v=oj_WIqZc9KA

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  16. Maria was a Soprano Sfogato, not just a soprano.

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