Wednesday, 11 April 2012

Widgets

Annie Lennox: vocal Range/Profile [contralto/3 octaves]


Vocal Type: Contralto
Vocal Range:3 Octaves  3 Notes G2-C6
Whistle Register: No
Vocal Pluses: Powerful voice, that has a rich, weighty quality throughout its entirety.  Technically brilliant singer: able to switch between the different parts of her range with relative ease, and skill; able to sing melisma; and demonstrates excellent breath control that allows for well supported held notes, and long, uninterrupted ornamentation.

Incredible comfort in the lower extremes of the voice meaning notes can be hit in the second octave with relative ease. The notes produced are solid, dark and male like in timbre. It provides a strong foundation for Annie Lennox to create interesting layered and unique harmonies that though fit and blend well together, still manage to maintain the vocal integrity and character of each part of the harmony independently- hear the introduction of God Rest Ye Merry Gentlemen .

The midrange is versatile: able to shift between tones and timbres depending on what is called for artistically. From an androgynous, dominating, cool, almost robotic like tone- the backing vocals of Little Bird- to one with more warmth, slightly lighter weight and a more feminine colouring- A Thousand Beautiful Things- Annie Lennox's midrange is perhaps the strongest and most versatile part of her range.

The belting range is consistently weighty and thick, even up into the fifth octave, and has a strong resonance and dynamic. The impassioned tone and the way Annie Lennox can utilise this part of her range- melisma, held notes, masterful control of its dynamics - is one of the reasons she has been labelled by many as "soulful" and "emotive" as well as a great technical singer.

Annie Lennox's head voice has a duality to it: able to be either operatic or more contemporary in tone. When singing in an operatic style the head voice demonstrates a controlled and measured tone, a rounded and lighter sound and a warmer and softer timbre- There Must Be An Angel (Playing With My Heart). It's use in a contemporary style produces a more biting tone, that is piercing, full and bright.

Vocal Negatives: The thickness and weight of the voice doesn't always lend itself to florid ornamentation or complex/quick melisma.






There Must Be An Angel (Playing With My Heart)


A Thousand Beautiful Things


Little Bird

31 comments:

  1. DD!!! My hero!! Thank youuuuuu! Perfect profile, I could not have asked for more!! Woooooo

    ReplyDelete
  2. Oh FINALLY!
    I've waited for this foe so long!
    Thank you very much!

    ReplyDelete
  3. :D  Her voice is awesome, listening to a lot of her stuff today reminded me of just how great it is.

    ReplyDelete
  4. Indeed, I like how she is more about quality than quantity. She wont rush out and release just any old tripe, she will master a sound and deliver it with class, grace and heaps of substance!

    She is doing it for us Scots (and very well may one add)

    ReplyDelete
  5. yeah , I only realised how little she's released as a solo artist when I wiki-ed her. Was sure it was a lot more, but was obviously wrong. Her Eurythmics stuff was brilliant too. She's been pushing that envelope for so long, without resorting to sex, and I admire her so much for that.

    Also aren't you forgetting another Diva, and thus reason, to be proud of Scotland.... Michelle Mcmanus!? Bless her.

    http://www.youtube.com/watch?v=R8rtWvWD9co

    ReplyDelete
  6. I know, and she could have so easily went down the sex sells route, she was extremely attractive in her day!

    Lol I am afraid Michelle might come out of the telly some day and start gnawing on my arm! All this time, weve come a long long way, I waited....shit I need a re-fill....McDonalds!!!!!

    ReplyDelete
  7. Yes - she's not got a very flexible voice in the same way that so many of the newer singers have...but she has a wonderful selection of tones and colours to choose from. Great analysis DD.

    ReplyDelete
  8. Love her so much, sorely underrated though.
    Thanks for using my some of my videos for the profiles on the females here!
    Love the Vocal pluses, most in depth description I've seen on here so far.
    Keep up the great work :)

    ReplyDelete
  9. My favourite singer Annie Lennox has a new Diva Devotee! I love her contralto voice.

    ReplyDelete
  10. She can hit a C2 but everything else is correct. Great profile 4 a great singer

    ReplyDelete
  11. She is one of the few singers who you can truly say is as good as the day they first came onto the scene. 
    Time has barely touched her physically and vocally.

    ReplyDelete
  12. Thank you so so so much!

    ReplyDelete
  13. Damn...that was intense. I need to get into some of her music!

    ReplyDelete
  14. YAAAAAAAAAAAAAAAAAAAAAAAAS! Lol

    ReplyDelete
  15. I love the last minute of "Why". Some of the best lyrics I've seen delivered by any artist, male or female. And when she jumps up to those C5's on "And these are the years that we have spent, and this is what they represent", just a powerful moment. There's so much unspoken power and passion behind that voice of hers. I think that's why I probably love Annie so much aside from that gorgeous tone and vocal control, is that there's so much passion behind her voice.

    ReplyDelete
  16. Diva Devotee I found a C2 by Annie :)

    ReplyDelete
  17. WHERE!! GIMME GIMME GIMME! lol

    ReplyDelete
  18. lol, It's on "Take Me To The River", At around 3:00 on the word "come on" She goes down to a C2/D2. You'll need headphones to hear it because it's very hard to hear with speakers.

    I found it by accident, I was bored listening through her songs and I have this habit of singing things an octave lower and I was singing in like the B1-E2 range and suddenly I hear that note and it matched a note I was singing along with. And I played it back and studied the note for a bit and it sounds to be a C2 or D2 lol.

    ReplyDelete
  19. Tessi Tessitura22 July 2012 09:33

    One word. Class.


    Ok that was 3 words.

    ReplyDelete
  20. Serendipity.-9 August 2012 21:39

    I was re-listening through her discography and It only verified my view that Lennox is the greatest contralto to ever enter pop music. Her vocal control and ability is up there amongst the greatest singers of all time, Annie is a truly overlooked vocal titan.

    ReplyDelete
  21. *Claps hands* could not agree more!!

    ReplyDelete
  22. Serendipity.-9 August 2012 23:23

    Why thank you Stuey!
    Annie is just a treasure.

    ReplyDelete
  23. I know right, there is very few people that not only know every single dynamic of their own voice but can use those dynamics to full effect, not only is she a gifted technical singer she is an honest one at that, you believe every word of what she is singing you. Great writer too! She gives us Scottish folks something to be extremely proud of :)

    ReplyDelete
  24. Ugh I adore Annie. Such a flawless artist. Truly once a generation. :)

    ReplyDelete
  25. One of my favorite singers for sure...a true talent, unlike most of the tripe that is forced upon us these days. She's simply astonishing. A rare example of a singer having a strong technique AND emoting through song. I can listen to her rendition of 'Love Song For A Vampire' all day long!!

    ReplyDelete
  26. I hate her so much for the weighty tone she keeps even when she's up in the sixth octave. Fuck coloratura/melisma/whatthefuckever, she can hit soprano notes and still keep her contralto thickness.

    ReplyDelete
  27. And by "hate", I mean that I'm incredibly jealous and love her. xD

    ReplyDelete
  28. Thanks for posting this. I learned a lot.

    ReplyDelete
  29. I just heard "Must be an Angel" for the first time a few weeks ago at work--Christ on a pancake. That is some high as fuck coloratura--it'd be impressive for a soprano, even.

    ReplyDelete
  30. If i were a woman i would have wanted to have her voice

    ReplyDelete