Vocal Type: Lyric Soprano
Vocal Range: D3-G#6 (3 Octaves 2 Note and a semi tone)
Vocal Pluses: A trained singer, this Diva is comfortable singing in a variety of styles [Jazz: Feeling Good/ Theater: Phantom Of The Opera / Classical: Io Ti Penso Amore ] Along with control and power, Nicole is able to sing complex melisma throughout her range, expertly alter the dynamics of her voice mid-phrase and, thanks to excellent breath control, hold notes effortlessly [all demoed here].
This Diva's mid-range is versatile and can be manipulated to add character and emotional colouring to a vocal. For instance: Nicole gives her delivery attitude and aggression and an icy, slightly gritty tone in Poison; while softening, aerating and warming her tone in Happily Never After. Whatever choices she takes with her mid-range, the character of Nicole's voice is retained making a song easily attributable.
Present is a flexible and elastic belt that is expertly controlled. The lower half is dark and rich [Right Now] with a suitable volume to it. As it climbs the fifth octave the voice takes on a nasal placement causing it to thin and and take on a metallic timbre. It's due to this shift that Nicole is able to impressively hit, and hold, upper fifth octave notes (even with with a measured vibrato) [Club Banger Nation]. It should be noted that Nicole can add a rock edge to her belts by "pulling up" her chest voice [Run Live].
Nicole's head voice has a dual aspect to it. In a contemporary setting the Diva is able to produce a soft and sweet head-voice that can be harmonized and remains unobtrusive to a song's backing [Heartbeat]. However, it can be made to sound impressively resonant with a theatrical quality to it. In this styling her tone is full, warm and measured, and the Diva is able to add a controlled vibrato, play with volume and crescendo beautifully [Io Ti Penso Amore ].
Vocal Negatives: Belted notes can sometimes sound harsh and more akin to shouting due to improper placement of the voice, especially when it forgoes vibrato.