Thursday, 1 March 2012

Reveiw: Jennifer Hudson & Ne-Yo ‘Think Like A Man’ [featuring Rick Ross]

Jennifer hudson 2012 neyo


Jennifer Hudson is back, looking amazing and rocking a little choreography, in new video Think Like A Man. It's a mid-tempo affair that she is joined on by singer Ne-Yo and rapper Rick Ross, and is lifted from the soundtrack of a movie that shares the same name.

This definitely brings back memories of 90's R'n'B. I love the way the song builds, starting with a looped chant rolling over some sprightly chords. The beat then kicks in and Jennifer Hudson's consistent delivery brings the empowering lyrics to life with gusto and belief. From there the song's featured co-stars and the middle eight keep it chugging along nicely.

Wednesday, 29 February 2012

Idina Menzel- Vocal Profile/ Range

Idina Menzel



Vocal Type Mezzo-Soprano
Vocal Range:2 Octaves 3 notes a semitone E3-Bb5
Whistle Register:No
Vocal Pluses: Idina Menzel is a technical singer, that has the understanding and training to be able to navigate the range with expert control, resulting in well supported and projected notes.  As well as able to single vocal runs, Indina can hold notes, with or without the addition of her thin vibrato.

Her midrange is solid, and begins to show signs of the steeliness of the belting range as it ascends. However, at its lower extremes it slightly softer, and more rounded.

Tuesday, 28 February 2012

Review: Madonna's "Girl Gone Wild", Better or worse than "Give Me All Your Luvin'"?

madonna girl gone bad

Girl Gone Wild is Madonna's second single to be lifted from upcoming album MDNA and its just hit the internet! But the question is, does it share the same corrupt (M)DNA as first and flop single Give Me All Your Luvin'or has Madonna finally given us a worthy comeback single?

I should say outright that I like Girl Gone Wild a lot more than her last single- though that doesn't seem to be an opinion shared by readers on the site if the chatbox comments are to believed (please let me know why below :P). But my fondness for it may be in large part due to it sounding like it would have fitted perfectly on the Confessions On A Dance floor album, an album I am quite fond of.

Sunday, 26 February 2012

Alexandra Burke performs "Elephant" Live.


Alexandra Burke has stepped up the promotion for new single Elephant [review] this past week: hitting That Grape Juice's Youtube channel for an acoustic version of the song, which she then followed with a bigger production on prime time television show, "Lets dance".

Saturday, 25 February 2012

Adele "Set Fire To The Rain" [Dubstep Skillrex Mashup]


adele skillrex

Another mash-up for you guys. As with last time it features the lovely Adele's vocals being overlaid on to a more contemporary and electronic sound- much like her mash-up with Britney Spears' Till The World Ends [here]. This time the backing is provided by hipster Anti-Christ, and usurper of the dubstep sound, Skillrex and his song Kill Everybody (Bare Noize Remix).

Friday, 24 February 2012

Madonna:Top Twenty Biggest Selling Singles




With Madonna's latest, and might I add awful, single Give Me All Your luvin' [review] sliding down the charts faster than a Christina Aguilera vocal run, can we just all agree to pretend it never existed? Failing that, lets remember better days, and a Madonna that didn't pander to fads, and countdown her top ten biggest selling UK Singles.

Thursday, 23 February 2012

Watch: Lana Del Rey Performs "Without You" (Live)



Yes Ms Lana Del Rey, you stay stuck to that piano, because its where you give your best performances!

Singing Without You from her debut album, Born To Die [Review], Lana showed the world she is a human being after all, giving a warmth and humility often missing from her performances. Perhaps it was due to her clearly being surrounded by fans, but Lana looked almost comfortable on stage and her surroundings, and this showed in her voice.

Displaying a raft of different timbres and parts to her range, she sang the love song gorgeously,  and in a way that deviated from the softer, Betty-Boop-like delivery of the album. It was a stark contrast to her robotic, and much ridiculed, Saturday Night Live performance [here], or her spot closing Jonathan Ross' chat show [here].