Monday, 29 October 2012

Top Ten Biggest Selling Diva Singles (Ever) Of The UK



The OfficialCharts.com have released their list of the top ten biggest selling female singles of the United Kingdom. Having compiled the official UK Charts for just under 60 years, no one else is better placed to give us a reliable run down, figures included, of the impressive accolade.

Take a look at the list below:

Friday, 26 October 2012

[Review] Chris Mann Featuring Christina Aguilera "The Blower's Daughter"

Christina Aguilera Chris Mann


Fourth runner-up (loser?) of series 2 of The Voice (USA), Chris Mann, has once again teamed up with his mentor from the show, Christina Aguilera. Having already delivered a beautiful cover of The Prayer, the duo have now taken on Damien Rice's heavenly ballad The Blower's Daughter. But does it live up to the standard set by their last duet?

Tuesday, 23 October 2012

[Vocal Profile] Marina Diamandis (AKA Marina and the Diamonds )

Marina  Diamandis

Vocal Type: Mezzo Soprano
Vocal Range: 3 Octaves 3 Notes (A2-D6)
Whistle Register: No
Vocal Pluses: The voice is brilliantly connected, meaning it's possible for Marina  Diamandis to switch effortlessly, and quickly, between parts of the voice. She also has excellent control so she is a singer that can recreate her studio renditions perfectly in a live setting.

Heavy, weighty, dark midrange that has an almost androgynous quality to it [Are You Satisfied]. It's a styling that the voice isn't limited to, meaning it is possible for Marina to lighten the sound considerably; lending to exceptionally unique harmonies being created by layering the two timbres [intro of Hermit The Frog].

The belting voice, much like the midrange, is full of attitude and individuality. It's more than often used in the lower extremes (the fourth octave) and carries through the weight and rounded quality of the bottom half of the range. As the voice hits the fifth octave Marina creates a tone that is very much head-voice dominant. This creates a sweeter, warmer sound, and one which is lighter by comparison. It's also possible for her to pull these characteristics down into the top half of the fourth octave. [Intro, Primadonna]. 

The head voice possesses the duality of the midrange so Marina can either produce a tone and timbre that is thick and controlled, or one that is akin to a falsetto, being breathy warm and light.

Vocal Negatives:Though her individual style is a plus in this world of copycat singers, it would be nice to hear Marina embellish that style occasionally with some more "Diva-ish" vocal skills- such as melisma, belted and sustained notes. We like our Divas to show off once in a while.

Monday, 22 October 2012

[Review] Kelly Clarkson "Catch My Breath"



Kelly Clarkson is giving me 80's goodness with her new single Catch My Breath. This is just what I needed from Ms Clarskson. After a string of high-octane, Pop-Rock tracks (Stronger, Darkside, Mr Know It All) I needed something a little more varied from the American Idol Winner to stop me getting Clarkson fatigue.

No need to worry though, it's not a total change of style for the singer. The voice is still a clear and present danger,  and the lyrics are far from generic: being a reflective take on her own musical journey so far. The singer-Songwriter explained the meaning of Catch My Breath on its release;

[New Music Video] Alicia Keys "Girl On Fire"



Alicia Keys needs to leave her husband at home when she hits the studio, because every new song I've heard from herself and Swizz Beatz contains the same aggressive beat, and the same aggressive vocal. Just check out the her new single, Girl On Fire, and tell me it doesn't have you reaching for the Paracetamol.