The original "Sullen Girl" Fiona Apple is readying new music for a June 2012 release in the form of brand spanking new albumThe Idler Wheel is wiser than the Driver of the Screw, and Whipping Cords will serve you more than Ropes will ever do. You find that title quite a mouthful but fans will consider it somewhat anaemic when compared to her second release, which held the record for longest album title ever (untill 2007) with over 400 characters [Read more at Wiki because I'm not clogging up this post repeating it!]
Saturday, 24 March 2012
New Music: Fiona Apple "Valentine"
The original "Sullen Girl" Fiona Apple is readying new music for a June 2012 release in the form of brand spanking new albumThe Idler Wheel is wiser than the Driver of the Screw, and Whipping Cords will serve you more than Ropes will ever do. You find that title quite a mouthful but fans will consider it somewhat anaemic when compared to her second release, which held the record for longest album title ever (untill 2007) with over 400 characters [Read more at Wiki because I'm not clogging up this post repeating it!]
Wednesday, 21 March 2012
Video Review: Madonna "Girl Gone Wild". The Queen is back!
Is it possible for me to dislike a video featuring high-heel wearing and ultra fierce male dance troupe/singers Kazaky? I think not! So it's no small wonder I really like the accompanying video for Madonna's new single, Girl Gone Wild. [single review]
Tuesday, 20 March 2012
[Vocal Profile] Alicia Keys
Vocal Type: Mezzo
Vocal Range: 3 Octaves and a semitone Bb2-B5
Whistle Register: No
Vocal Strengths: Alicia Keys is capable of singing complex vocal runs, through the registers, and is able to hold notes for periods of time without wavering in pitch or tone [Fallin'].
The lower range is easily accessed and is supported, dark and of some weight [How To Save A Life]. Unlike other singers, who become foggy, the voice remains attributable at the lower extremes with a clear ring. At the bottom there is a slight breathy quality, but the voice is comfortable and clear despite the lowered larynx.
Alicia Keys' midrange is sweet and warm, with a smokiness and slight rasp to it. There is a dual aspect to this part of the range. She can sing in a hot, breathy style that is soft and wistful [In Common]. Or, though still warm in colour, she can make the timbre rounder and more in keeping with the fuller sound of the whole range [Karma]. Her voice sounds at its most easiest here.
The belting range is weighty and thick and often shares the smoky quality of the lower range. The notes above the fifth octave are most often reached with a chest-dominate mix, and the resulting tone has a good dynamic, fuller sound and a raw edge [Girl On Fire]. Alicia Keys does have versatility here and can alter her belt, shifting it to a head-dominate position [ How Come You Don't Call Me]. The result is a sound that is purer in tone and smoother in timbre, but this comes at the expense of power and fullness.
The head voice is pure and bright with a weight and warmth [Adore]. She is also able to sing in a falsetto-like tone that is light, airy, soft and lends itself well to harmonies [Empire State Of Mind].
Vocal Weaknesses: The way Alicia Keys maintains her thicker belting tone, without mixing, could have a negative effect on the voice, ultimately inflaming it and producing a harsher sound.
Labels:
3 octaves,
alicia keys,
Mezzo-Soprano,
vocal range
Monday, 19 March 2012
Analysis: Britney Spears' Real Singing Voice
Prompted by comments made by readers about Britney Spears' "real" voice being different from the thin, nasal and robotic one she is supposedly made to put on, I went out into the wilderness-Aka Youtube- for further evidence of her actual voice. Below is what I found!
Thursday, 15 March 2012
Mýa Harrison Vocal Range/ Profile
Vocal Type: Mezzo-Soprano
Vocal Range: 3 Octaves 4 notes B2-F6
Whistle Register: Yes
Vocal Pluses:Light voice, with a pervading sweetness throughout. Mýa is capable of complex melisma (vocal runs) that can traverse through her registers with ease and speed.
Labels:
3 octaves,
Mezzo-Soprano,
mya,
whistle register
Wednesday, 14 March 2012
Review: Gossip return with "Perfect World"
Beth Ditto and her motley crew, collectively known as Gossip have returned, Hooray! The group's energetic last album, Music for Men, seems like it was released an eternity ago (2009 in actuality) and with Ms Ditto releasing an EP in 2011 I was worried that that was the end of the trio, and solo stardom beckoned. But new single Perfect World means my prayers have been heard, and they return with their fifth album, A Joyful Noise, in May of 2012.
Tuesday, 13 March 2012
Tour Review: Florence + The Machine, The Ceremonials Tour [Cardiff & London]
Setting out on the promotional tour for latest album Ceremonials, Florence +the Machine touched down in the United Kingdom after already having put shows on in Asia, America and Australia since it kicked off in October of 2011. With over 80 dates between then and its last in Sweden, on the 14th of August 2012, I was hoping I'd get to see her when she reached my home town of London this month, but it wasn't to be...initially.
So, thinking I'd missed out on tickets for Florence + The Machines’ London gig, I took my English butt and hopped on a train, over the border, to Wales and its capital city Cardiff to catch the Ceremonials Tour a little more west than I had planned.And what a time I had, but I'll stick to describing the show...
Labels:
ceremonials,
florence and the machine,
florence welch,
live,
review,
tour review
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